March 2020 in Books

A summary of books read in March – An array of women authors and female protagonists, in keeping with the month that celebrates Women’s Day. Due to lots going on around, I have not been able to get online much. Detailed reviews will follow as and when I find the time. Hope everyone is staying safe in these difficult days. It’s times like these when books are our refuge.

4 paperbacks:

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~Aranyaka by Amruta Patil and Devdutt Pattaniak – A graphic novel about forests – the wilderness outside and within; the beginning of life and civilization, the merging of elements, and the influence of nature on man and vice versa. 5/5

~Road to Mekong by Piya Bahadur – A memoir about 4 women motorcyclists who undertake a road trip, covering 17,000 kilometers through 6 countries, guided by the river Mekong that flows through Southeast Asia. 5/5

~Sand & Sea by Ann D’Silva – A novel about past lives and connected souls. A women’s dreams are haunted by a man she knew in another life, and she attempts to find out more about him. 2/5

~In My Dreams I Dance by Anne Wafula Strike – The autobiography of a Paralympic racer who overcame disability and prejudice to compete among top level athletes. 5/5

3 books on Kindle:

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~The End We Start From by Megan Hunter – A post apocalyptic novel with development and destruction running parallel in the narrative. A baby is born as the world is being submerged by exponential floods. As the child grows, the world sinks further. 4/5

~Mad Love by Paul Dini and Pat Cadigan – A novelization of the origin story of Harley Quinn and her subsequent prominence in the DC comic world. 3/5

1 re-read:

~The Haunting of Hill House by Shirley Jackson – One of the books I read this month was so disappointing, this book was conjured to bring back some brilliance in my reading. 4 individuals are placed in a supposedly haunted house to measure hauntings and obtain evidence of ghosts. But ghosts are not always around you. What about the ghosts within us? When it’s pure, brilliant writing one is looking for, look no further than Shirley Jackson. 5/5

ARANYAKA – Book Review

Title – Aranyaka

Authors –  Amruta Patil and Devdutt Pattanaik

Genre – graphic novel, mythology, history

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“From wind, she learned movement. From mountains, patience. From rivers, persistence. From outstretched branches and deep roots, she understood hunger.”

“Bad arguments were about ego and delusion, good arguments brought epiphany. All argument was combat.”

“I thought we were equals, bilateral symmetry of leaves. He thought we were halves – He above, Me below.”

Aranyaka literally translates to “of the forest”. It begins with the history of all living beings which started from the forest, and how domestication and civilization take us away from nature. The story is a warp and weft of 3 primary women – the Large, the Weaver and the Fig, (The three rishikas – Katyayani, Gargi and Maitreyi) who help us unravel humankind. Aranyaka is not only the forest around us, but also addresses the wilderness within us. Is food solely to satiate hunger, or is it a temporary replacement for a greater hunger/thirst in life? When we cook for or help or take care of others, is it in thought of the opposite person, or emphasizing our own importance in their lives?

A difficult book to review because it encapsulates a multitude of subjects and themes. Aranyaka alludes to a set of 3000-year old Vedic scriptures, and the foundational role forests play in Vedic lore.Writer Devdutt Pattanaik and illustrator Amruta Patil have imaginatively transformed a myriad of ideas into a novel – the crux of which is, observing elements and the natural world transforms the way humans think. Forests can be as violent as they are beautiful. In this sense, scriptures do not belong to a bygone era, but are right here with us.

The two artists have collaborated long distance – with Patil living in France, and Pattanaik in India. The tremendous research dedicated to the text reflects Pattanaik’s strength in his genre of mythology. There are numerous references suggested for further reading. Patil’s artwork is just beautiful – closely following the storyline, with a vibrant assortment of shades and tones. Some pages don’t need dialogue – the striking paintings take you through the multi-layered narrative.

A delightful book, worth having in ones collection – more for the artwork than the story.

My rating – 5/5